Hours of Nuremberg, France, around 1290. Bi-folio illuminated on parchment, binding of Roman type creation adorned with green leather, clasps and sourced bosses.
Psalter of the Counts of Champagne, original creation of a psalter from around 1200. Four illuminated parchment pages, Romanesque type binding adorned with light brown leather, sourced clasp.
Partial reproduction of a missal from the 1480s, bifolio of calligraphed parchment, oak boards with stopped chamfers, silk headbands and embroidered spine on leather naves, brown leather cover and gold-plated brass clasps. Intended for the scenography of the chapel of the Château de Suscinio (56, Morbihan)
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Historiated box inspired by the wall paintings of the Theys castle (Isère) illustrating the beginning of the Perceval cycle. Historical and synthetic pigments on artisanal gesso, the chest is made of solid wild poplar. The sourced hinges were forged by the Forge Loup-deFeu (Provins).
Partial reproduction of a book of hours for use in Paris, kept in Boulogne-sur-Mer, presenting four calligraphed and illuminated pages inserted in their Gothic binding.
Book box in embossed leather and woven silk braid made by "A cuir ouvert".
Charter of the Count of Champagne Thibaut IV, calligraphed on parchment and presenting a reproduction of the seal on silk lakes tinted with pastel blue.
Creation of a partial facsimile based on 4 illuminated folios of the "Hours of Marguerite d'Orléans", accompanied by a binding sourced from around 1430. Iron gall ink, gold leaf and historical pigments on lambskin parchment. Ironwork produced by ARS FABRA.
Creation of a partial facsimile of the Souvigny Bible, based on the bifolio of the beginning of Genesis.
Iron gall ink, gold and silver leaf on gesso, historical pigments on lamb's parchment.
Romanesque monastic binding with embroidered ears, solid oak boards, linen thread stitching, cowhide leather and linen thread embroidery dyed with artisanal pastel.
Brass clasps by ARS FABRA.
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